Exploring the mark-made-by-hand and the mark-made-by-machine to shape new relational systems.

Sougwen Chung named TIME100 Most Influential People in AI 
⇢ view on TIME.COM

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SOUGWEN CHUNG, GENESIS: LIFE/LINES Process, 2024
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Sougwen Chung, 2015, MIMICRY (with Drawing Operations Unit: Generation 1)
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Sougwen Chung, 2017, MEMORY (with Drawing Operations Unit: Generation 2)
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Sougwen Chung, 2018, COLLECTIVITY (with Drawing Operations Unit: Generation 3)
SOUGWEN CHUNG, 2022, ASSEMBLY LINES PERFORMANCE (WITH DRAWING OPERATIONS UNIT: GENERATION 5)

When we can start to see that the systems we build are actually us in another form,

in another mode of temporality, then we're heading in the direction around a multiplicity of intelligences and approaches to intelligence.

DRAWING ✕
PERFORMANCE

sougwen-2023_drawingPaulinesmgrey

✕ PRACTICE
✕ INTELLIGENCE

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Sougwen Chung, 2021, Waves Studies (with Drawing Operations Unit: Generation 4), ASSEMBLY Lines Series
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Sougwen Chung, 2021, Waves Studies (with Drawing Operations Unit: Generation 4), ASSEMBLY Lines Series

There is meaning in the data, but it’s not the meaning we are given; it’s the meaning we make.

- Sougwen Chung, Artist and Researcher, Founder of SCILICET STUDIO 
⇢ read the guest essay on nytimes.com

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Sougwen Chung, 2023, Process Collage

I’m driven by curiosity – not cutting-edge for its own sake but the realization that new technologies have broad applications and implications in culture, including how we experience and see ourselves and the world around us.

- Interview with LeRandom Art "Us in Another Form"
⇢ read in full here

What becomes of the human hand?

Where does AI end and We begin?

What are the sensory mixes of the future?

SOUGWEN CHUNG: DRAWING OPERATIONS UNIT: GENERATIONAL TIMELINE

Generation 1
MIMICRY

sougwen-2015_drawingOperations_1

Generation 2
MEMORY

Processed with VSCO with hb1 preset

Generation 3
COLLECTIVITY

Photo by Rain Embuscado

Generation 4
SPECTRALITY

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Generation 5
ASSEMBLY

Nykyaikaa etsimässä 2022 -näyttelyn ripustus. Kuva: Paula Virta / EMMA

YEAR
Vision:
Relation:
Temporality:
Location: 
ROBOTIC Form:
TECHNIQUES:

2014 - 2016
Colour Tracking
Simultaneous, Mimicry
Immediate
Site Specific
4 axis Robotic Arm 
Camera
Jitter, 
Max MSP

2016 - 2018
Infra Red
Input / Output, Memory
Data Archives
Site Non-Specific
4 axis Robotic Arm
Camera, 
Custom Software
Recurrent Neural Network
Python, Javascript, C++

2018 - 2019
Optical Flow
Multi-agent
Site Interpretive
New York City
Swarm Robotics (20)
C++, Custom Robotic
Modelling, Fabrication, 
Optical Flow, Custom
Global / Local 
Positioning Software

2020
Form Tracking
Electro-physiological. EEG
Bio Interpretive
Basel / London
6 axis Robotic Arm
Python, Custom End Effector, 
Custom Software, 
Biometric Headset

2022-Ongoing
Multi-Form Tracking
Electro-physiological. EEG
Multi-Positional
London / Helsinki
Multi-Robotic System (5)
30 Year Training Data-driven Model, Bio-feeback Integration, Spatial Kinematics 

ART ✕ RESEARCH

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Sougwen Chung, Drawing with D.O.U.G. Performance
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MEMORY (D.O.U.G._2) collected by the V&A

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WAVE Film feat on NOWNESS

Why I Draw
with Robots - TEDTalk

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Sougwen 愫君 Chung is a Chinese-Canadian artist and researcher. Chung is the founder and artistic director of ⇢ SCILICET, a studio exploring human & non-human collaboration.

A former research fellow at MIT’s Media Lab, Sougwen is considered a pioneer in the field of human-machine collaboration – exploring the mark-made-by-hand and the mark-made-by-machine as an approach to understanding the dynamics of humans and systems. 

— Sougwen 愫君 Chung is a Chinese-born, Canadian-raised artist & (re)searcher based in London / New York / Hong Kong.

— Sougwen 愫君 Chung is a Chinese-born, Canadian-raised artist & (re)searcher based in London / New York / Hong Kong.

— Sougwen 愫君 Chung is a Chinese-born, Canadian-raised artist & (re)searcher based in London / New York / Hong Kong.

Copyright Sougwen Chung
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